Michael Kitchen looks back on 'Foyle's War' as series 7 comes to a close



 
As the sun sets tonight on PBS with the season ending episode of Foyle’s War “Sunflower”, Michael Kitchen spoke recently with the Associated Press sharing his thoughts on bringing DCS Christopher Foyle to life. Kitchen, a highly respected British theater actor and noted film and television actor, rarely talks to the media which makes this all the more special to be able to share.

Michael Kitchen has no regrets over a spending a decade with Foyle’s War

AP – LOS ANGELES — Christopher Foyle, the World War II English police detective turned postwar spy catcher, is a man of few words. Michael Kitchen, the actor who plays him, also tends to limit his public utterances, at least to the media. For film-goers, Kitchen may long be remembered for his small but precisely drawn performance in Out of Africa as Robert Redford’s friend who succumbs bravely to illness, or in Enchanted April as a man visited by unexpected romance.
 
Michael Kitchen as DCS Christopher Foyle on PBS Masterpiece

Whatever the case, precision is Kitchen’s hallmark, such as the level gaze or tilt of the head he uses to great effect in Foyle’s War, which wraps its latest PBS season tonight. More episodes are in the works for next year and there are hopes for “many more seasons” ahead, said Mark Stevens, head of producer-distributor Acorn, which released the show on DVD this week and is streaming it on Acorn TV.

In an email exchange, Kitchen discussed breaking a vow, his career and the symbol of respect for war’s casualties that he keeps close.

AP: Why did you decide to return to the role of Foyle in the postwar episodes?
Kitchen: There was not one good reason not to. It’s the case that, as a younger man, I’d sworn never to become a TV detective and although signing up for the show at the very beginning was never an issue, I couldn’t shift a lingering guilt for letting the younger guy down. So it’s a fact that I had suggested fairly early on — and on more than one occasion and not least because I believed it — that moving the character into Intelligence (work) might be less confining than the obligation to a weekly Hastings murder. So, as far as this series is concerned, there was no decision to make. Happy and guilt-free with the move and I concede the timing’s right to move him now; I’d been a bit premature.

AP: Unless you perceive it otherwise, Foyle appears to be the defining role of your career and clearly is a character embraced by the audience.
Kitchen: It’s certainly defined the last 10 years because I’ve done little else. This isn’t a complaint; having enjoyed the 30 previous years avoiding definition, it’s a privilege to be able to wait for projects that 100 percent fulfill the criteria, of which there have been, theater and radio aside, perhaps only about six. All worth the wait.

AP: Did you see it as a possible turning point in your career, from a respected character actor to leading man at midlife?
Kitchen: Less a turning point than a consequence of the turning point which had happened some while before. But it did come at a time when my attitude to the business had changed considerably, and whereas before I’d turned down a good handful of long-term offers for various reasons, this now felt right, good and very acceptable.

AP: When you were a youngster, did members of your family share their wartime experiences? If so, did any of those memories influence your work on the original Foyle’s War series set during WWII?
Kitchen: I can’t say they did, directly. My dad had a small suitcase stuffed with photos, mementos from wherever he’d traveled as a Royal Navy gunner. Not that he gunned very much, as it turned out. I’d haul it out and go through it time and time again. That world, that war, that time, in that suitcase, the smell, the feel, the aura, the weight of it, I carried with me and still do: A poppy hangs in my car 365 days a year.

For those in the North Texas area watching Foyle’s War on KERA, you can see the season ender tonight at 8:00pm on Masterpiece Mystery!. If you’re new to the series or just want to go back and watch some brilliant telly without having to binge watch, KERA will be airing Foyle’s War on a weekly basis from the first episode on Thursdays at 9:00pm CT beginning October 24.

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  • Popeye111

    I stumbled upon this series completely by accident. Now, I’ve become completely absorbed in the show, the characters, the writing, the production; the whole shebang! What a wonderful, educational and exceptional experience. Thank you all for making such a wonderfully entertaining series.

  • Ayn MacGregor

    An avid fan of anything BBC and a lifetime historian, I lamented the loss of John Thaw and feared MORSE was the last of even great British television. There were, of course, several others, but all fell slightly short of the quality combination that makes the motion picture worth watching. Through Netflix I recently discovered FOYLE’S WAR which sates my thirst for all things historically marvelous, not excluding great screenwriting, acting, and filming. Always a staunch admirer of the English and their centuries of facing the enemy on their home front, FOYLE’S WAR takes just enough of a different spin and holds the viewer spellbound. I am looking forward to many more episodes which so wonderfully take me away from West Texas and a plethora of Hollywood’s 21st Century where everyone tends to look alike.

    • Per Kele

      oh you poor dear! I’m so glad you have Netflix and whatever other avenues to take you away, but couldn’t you ALSO physically move away from west texas (and ALL of texas for that matter to be sure)? Still, happy for you and the BBC/history thing.
      — Kindred Spirit from North

    • Katherine McChesney

      British Television has become as sick as American film.

  • Oliver Wendell Sr.

    I’ve followed this fine series from Day1. Interesting to learn that Michael Kitchen has a poppy hanging in his car, in honor of his Dad, a Veteran – as do I.

    • Bill_Young

      ?Approve

  • William Burke Jr

    This is the most enjoyable TV series I’ve seen since David Suchet in the Poirot series. Michael Kitchen is superb in the role of DCS Foyle and Honeysuckle Weeks is marvelous as his driver. I have learned much about England during World War II, the terrible bombings by the Luftwaffe of London, how women had to do men’s jobs, the English attitude toward the Americans during the war, among other things. I did enjoy the earlier episodes, like “They Fought in the Fields” more than the post war episodes, like The Russian House, which are the more cloak and dagger sort of shows. The earlier episodes showed more what England was really like during the start and the earlier part (pre 1943) of this terrible war.